1.0
Introduction of Color
The use of color can be applied to deliver a
message. By merging with various type of color elements, the meaning of an
image or a word can be change or emphasize. In general, the theory of color can
be categorize into color wheel, color meanings, and color harmonies. All these
theories defined how colors should be applied or used to accomplish the
intention of designer.
1.1
Color wheel
Color wheel representing the visual colors
accordingly based on the chromatic relationship. Wherefore, designer are able
to view the inter-relationship in between of each of the colors involved. Basically,
they are divided into three different classifications which are primary colors,
secondary colors, and tertiary colors.
Figure 1.1 Color Wheel (J.L
Morton,n.d.).
- Primary Colors: The red, blue and yellow colors is categorized as the primary colors since they are not able to create by colors mixture.
- Secondary Colors: Secondary color are made from the color mixture of primary colors. It includes of violet (mix of red and blue), green (mix of yellow and blue), and orange color (mix of yellow and red).
- Tertiary Colors: similar to the secondary colors, tertiary colors takes one color from primary and another one from secondary colors to conduct color mixture and form new colors.
1.2
Color Meanings
The selection of color is one of the important part
while designing certain art work. By default, each of the colors imply a
specific message or meaning. Apparently, poor selection of color could mess up
or break the entire art work design. Therefore, it is important for the designer
to understand the initial colors meaning and their sensibility. The figure
below illustrate the table of color and the meaning associated (n.a., 2009).
Figure 1.2: Color Meanings.
1.3
Color Harmonies
In visual experiences, Color Harmonies define the single
composition of two or more colors used. It takes the responsibilities of
balancing the visual experience and create the sense of order. However, the
over complexity will leads to over-stimulation, whereas the over unity will
leads to under-simulation. In summary, the color harmonies emphasize of balance
(J.L. Morton, n.d.).
- Monochromatic: Monochromatic referring to the changes of single color. Figure below shows the example of the hue value changed.
Figure 1.3: Monochromatic (Ronkowitz. K. n.d.).
- Complementary: Complementary make use of the color elements directly opposite on the color wheel. In this case (Figure 1.4), the variations of yellow-green and red-purple formed the attributes of maximum stability and maximum contrast to the image.
Figure
1.4: Complementary (R. Berdan., 2004).
- Analogous: Analogous colors are selected from the side by side colors on the color wheel. There are three colors will be selected, such as yellow-orange, yellow, and yellow-green. The example of analogous is illustrate on the Figure 1.5.
Figure 1.5: Analogous (R. Berdan.,
2004).
2.0 Visual Elements
2.1 Line
The path between two
points is represented as a line. Line can be appear in various form types which
include of horizontal, vertical, curved, zigzag, diagonal, and straight. By
taking the advantages of the form type of lines, each of them can be uses to imply
certain feelings and orientation or direction. Vertical line imply the strength
and energy, whereas the horizontal lines imply the peaceful and rest. Since
line can lead the audience’s sight, it is defined as an effective element of
design (Berdan, 2004). The figure below shows the basic type of lines
available.
Figure 2.1:
Basic Type of Lines.
2.2 Shape
Shape is a
two-dimensional element of art that using an identifiable boundaries to
occupies certain area. Shapes are separate into two different categories,
geometric and organic. The shape with patency angles and line such as pentagon,
diamond, and rectangle is categories into the geometric categories. Relatively,
irregular shapes that are usually found in nature environment is defined as
organic shapes (Artsedge, n.d.).
2.3 Space
According to the R.
Berdan on his research at 2004, the relationship between shape and space is
inseparable. The forms of shapes would directly ruling and determine space. Positive
space defines the shape that viewer focus on while looking at a piece of
design. Whereas, the surrounding area of that design is known as negative
shape.
Figure 2.2:
Space.
The negative space in
this figure is referred to the black area occupy. It served the purpose of
balance the positive area in which the rock and marmot located.
2.4 Form
The structure of form
are definitely more complex in comparing with shapes. By combining with the
elements of depth, length, and width, it become as a three-dimensional shapes. Typically,
the other visual elements relied on forms as the groundwork since it is the
composite of shapes and lines (Johnson, n.d.).
2.5 Value
Value is typically
referring to the color. In art work design, the contrast between black and
white are defined in value. In the other word, it is the measurement of light
and dark. Apart from that, the change of value also can be apply in the color
intensity to bring out the sense of vitality, performance, and speed. Assuredly,
these attributes are widely used in certain events that aimed at youth and
sport car advertisements (Johnson, n.d.).
Figure 2.3:
Sport Car Advertisement.
The figure above shows
an example of sport car advertisement that applied the elements of value on
color intensity. With this technique applied, audience can clearly be seen and
feel the high performance and speed of the sport car.
2.6 Color
The most complex visual
element will be the color. The main reason that cause of that complexity is the
variations and combinations of color. According to R. Berdan, there is plenty
of research proved that the use of color could affects human emotion directly
or indirectly. In the other word, human nervous system could be affected by
color. Therefore, artists should take this opportunity to make use of color
elements.
Figure 2.4:
Color of Seasons.
The figure above shows
the design of four different season types. By using different combination of
color, it leading the viewer create a unique feeling for each of the season.
2.7 Texture
Texture refers to the quality of surface that can be felt and seen. Certainly,
the attributes of texture can be emerge in various forms which include of soft
or hard, and rough or smooth. In general, texture is mainly use to imply
certain things or the meaning in behind.
Figure 2.5:
Texture Photography.
The figure above shows
the photo that are taken with texture element applied. As seen, the surface of
rocks brings out the feeling of rough and hard.
3.0 The Use of Colors and Visual Elements
The use of colors and
visual elements are combined during the design stage. At stated previously, the
color is a visual communication element that are able to convey the message to
viewers. With sustain of visual elements, use of colors can be further evolve to
bring even more rich content for visual experience. The following is some of
the ideas or cases that make use of the combination of colors and visual
elements (Montyne, n.d.).
3.1 Speed Visual Search
Figure 3.1:
Metro Map.
In this scenario, the
use of color is applied to convey the metro information quickly by
differentiate the route with various type of colors. With the support of the
“Line” visual element, it shows the distinct direction for each of the route.
As a result of that, viewers are managed to identify the route provided easily.
3.2 Improve usability
Figure 3.2:
Login Interface.
The use of color and
visual elements can be applied in the user interface design as well. A button
with light color capture the user’s attention, whereas the rectangle area
indicate the input field. Therefore, it successfully to convey the message that
requesting user to enter their login detail and continue with the service.
3.3 Improve Object
Recognition
Figure 3.3:
Fruit Object Drawing.
Object recognizing is
also reflect by the colors and visual elements apply. With an appropriate shape
drawn and color applied, viewers are manage to recognize the object as well.
This is due to the reason that visual feedback will reflect in what they see in
real life. Certainly, designer may play with the unusual colors of visual
elements to create a creative design. However, proper set of criteria must be
apply in case that designer is aiming for speedy recognition.
4.0 Conclusion
The relationship
between colors and visual elements are inseparable. They are relying on each
other to form a better visual outcome. Although this process could be
troublesome, but definitely worth for it.
As a result of that, designer should takes these attributes in their
consideration before starting their art work design.
In conclusion, the
combination of colors and visual elements is very important in order to convey
message approximately.
Reference:
- Artsedge, n.d. Formal Visual Analysis: The Elements & Principles of Composition. [online] Available at: <http://artsedge.kennedy-center.org/educators/how-to/from-theory-to-practice/formal-visual-analysis.aspx> [Accessed 22 September 2013].
- Bigelow. R., n.d. Texture Photography Essentials and Tips. [online] Available at: < http://www.picturecorrect.com/tips/texture-photography-essentials-and-tips/> [Accessed 22 September 2013].
- Colormatters, n.d. Basic Color Theory. [online] Available at: <http://www.colormatters.com/color-and-design/basic-color-theory> [Accessed 22 September 2013].
- Johnson. L., 2013. Lamborghini Gallardo LP570-4 STS Ad Personam. [online] Available at: <http://l-johnson32.deviantart.com/art/Lamborghini-Gallardo-LP570-4-STS-Ad-Personam-331374011> [Accessed 22 September 2013].
- Johnson. W., n.d. 7 Visual Elements of Art Used in Advertisement. [online] Available at: <http://smallbusiness.chron.com/7-visual-elements-art-used-advertisement-25752.html> [Accessed 22 September 2013].
- Kapoor. D., 2009. 5 Basic Principles of Logo Designing. [online] Available at: <http://deepikadutta.wordpress.com/2010/01/01/how-to-design-a-logo/> [Accessed 22 September 2013].
- Montyne., n.d. 10 Reasons to Use Color. [online] Available at: <http://understandinggraphics.com/design/10-reasons-to-use-color/> [Accessed 22 September 2013].
- R. Berdan, 2004. Composition & the Elements of Visual Design. [online] Available at: <http://photoinf.com/General/Robert_Berdan/Composition_and_the_Elements_of_Visual_Design.htm> [Accessed 22 September 2013].
- Ronkowitz. K., n.d. Color. [online] Available at: <http://605.wikispaces.com/color> [Accessed 22 September 2013].
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